Vol. 9 No. 1 (2017): Women and Electronic Dance Music Culture

Published: 14-Nov-2017

Editorial

• Introduction to Women and Electronic Dance Music Culture

  Rebekah Farrugia, Magdalena Olszanowski

  1-8

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Feature Articles

• Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music

  Frances Morgan

  9-27

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• Post-Feminism’s “New Sexual Contract” and Electronic Dance Music’s Queered Femme Voices

  Robin James

  28-49

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• Forty-Seven DJs, Four Women: Meritocracy, Talent, and Postfeminist Politics

  Tami Gadir

  50-72

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• Lick My Legacy: Are Women-Identified Spaces Still Needed to Nurture Women-Identified DJs?

  Maren Hancock

  73-89

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From the Floor

• "Why would I want to put my art in your museum if I have my own house?" An Interview with Rucyl

  Magdalena Olszanowski

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• Fear in the Festival Field: Threat, Apprehension and Apathy

  Kaitlyne A Motl

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• Like so many things I both know and don't know

  Lisa Busby

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• Mapping a Lineage of Female Event Producers Living in British Columbia

  Jennifer Rebbetoy

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• Onwards and Upwards: Playing My Way Through the Gender Division

  Donna Cynthia Bentley

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Reviews

• Techno Studies: Ästhetik und Geschichte Elektronischer Tanzmusik (Kim Feser and Matthias Pasdzierny eds.)

  Timor Kaul

  90-93

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• Hip-Hop Headphones: A Scholar’s Critical Playlist (James B. Peterson)

  James Cox

  93-95

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• An Introduction to Music Technology, Second Edition (Dan Hosken)

  Martin Kamil Koszolko

  96-98

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• Low End Theory: Bass, Bodies and the Materiality of Sonic Experience (Paul C. Jasen)

  Daniel Paul Schnee

  98-101

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• Digital Arts: An Introduction to New Media (Cat Hope and John Ryan)

  Toby Young

  102-104

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