Saboritmico: A Report from the Dance Floor in Mexico

Authors

  • Emilio Ocelotl
  • Luis N Del Angel McMaster University
  • Marianne Teixido

Keywords:

algorave, audiovisual live coding, gender, genre, Latin America

Author Biography

Luis N Del Angel, McMaster University

Currently a PhD student in Communication, New Media, and Cultural studies at McMaster University. His current research intersects with live coding, Artificial Intelligence, and software studies. He also holds an MA in Communication and New Media from McMaster University and a Licenciatura in Music Composition from Academia de Música Fermatta (Mexico). From 2010 to 2013 he worked at the Multimedia Center of the National Center for the Arts (Mexico) exploring the possibilities of free software and the paradigm of live coding. In 2012 he collaborated in the creation of the International Symposium of Music and Code /*VIVO*/ (Mexico). As part of the live coding collective RGGTRN he has performed at venues in Mexico, Spain (2014), France (2014), Switzerland (2014), and the UK (2016). As a member of the Cybernetic Orchestra directed by Dr. David Ogborn, he has performed at the International Conference on Live Coding, ICLC 2016 (Canada 2016), ICLC 2017 (Mexico 2017), and NIME conference 2017 (Denmark 2017).

Downloads

Published

23-Nov-2018

Issue

Vol. 10 No. 1 (2018): Algorithmic EDM

Section

From the Floor

License

Authors who publish with this journal agree to the following terms:
  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-Noncommercial-Share Alike License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g. post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal. Such derivate works or subsequent publications must happen no less than one calendar year after the initial publication date in Dancecult.
  3. Authors are permitted and encouraged to post their work online (e.g. in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).