Decline of the Rave Inspired Clubculture in China: State Suppression, Clubber Adaptations and Socio-cultural Transformations
Keywords:
clubculture, night-time economy, sociality, dance clubs, rave party, Ecstasy, Chinese nightlifeAbstract
This study examines the development of rave inspired clubculture in China between the late 1990s and the present. It focuses in particular on the harsh suppression of clubland by the Chinese state in 2000, the reactions of clubbers and the club industry, and the clubcultural transformations that resulted from the suppression. A nationally coordinated anti-drug campaign that specifically targeted dance clubs was orchestrated by the central government and it has forced many clubs to close down. The rent-seeking practices of local officials also greatly intimidated clubbers. Clubbers and club operators adapted to the adverse circumstances by transforming club spaces and inventing new club practices. Although these adaptations have kept clubculture alive, they also generated negative socio-cultural impacts: the undermining of sociality inside dance clubs, the weakening of the communal dimension of clubculture and the exacerbation of socio-economic stratification in clubland.Published
21-Sep-2009
Issue
Section
Feature Articles
License
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-Noncommercial-Share Alike License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g. post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal. Such derivate works or subsequent publications must happen no less than one calendar year after the initial publication date in Dancecult.
- Authors are permitted and encouraged to post their work online (e.g. in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).