From Grapefruit to Plastic Surgery: Experiments in Contemporary Musique Concrète

Authors

  • Brian Daniel Speise

Keywords:

musique concrète, production, recording arts

Author Biography

Brian Daniel Speise

Brian Speise is a graduate of the Master of Science in Recording Arts program at the University of Colorado Denver. He recently completed his Master’s thesis, which explores the relationship between current music technology and musique concrète. He currently lives in Kansas City, Missouri, where he is active as a musician, composer and audio engineer.

Downloads

Published

02-Jun-2014

Issue

Vol. 6 No. 1 (2014): Production Technologies and Studio Practice in Electronic Dance Music Culture

Section

From the Floor

License

Authors who publish with this journal agree to the following terms:
  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-Noncommercial-Share Alike License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g. post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal. Such derivate works or subsequent publications must happen no less than one calendar year after the initial publication date in Dancecult.
  3. Authors are permitted and encouraged to post their work online (e.g. in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).