Vol 5, No 1 (2013): Doing Nightlife and EDMC Fieldwork

View Vol 5, No 1 (2013): Doing Nightlife and EDMC Fieldwork

Published: 21-May-2013

Editorial

Executive Editor's Introduction

Graham St John

1-2
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Editor's Introduction: Doing Nightlife and EDMC Fieldwork

Luis-Manuel Garcia

3-17
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Feature Articles

Interrupting Flow: Researching Play, Performance and Immersion in Festival Scenes

Alice O'Grady

18-38
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Alone, Asian and Female: The Unspoken Challenges of Conducting Fieldwork in Dance Settings

Bina Bhardwa

39-60
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Looks: Studio 54 and the Production of Fabulous Nightlife

madison alexander moore

61-74
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Transpositions

Focused Ethnography as Research Method: A Case Study of Techno Music Producers in Home-Recording Studios

Jan Michael Kühn
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Conversations

Writing the Vibe: Arts of Representation in Electronic Dance Music Culture

Graham St John
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From the Floor

Techno Intersections: An Aural Account of Research in Edinburgh

Tami Gadir
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Wasta Capital: Ethnographic Reflexivity at a Rooftop Nightclub in Beirut

Caitlin Robinson
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Dance Floors of the Mind: Performing Nightlife Research During the Day

Sheena D. Hyndman
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Negotiating Salient Identities in Queer EDM Spaces

Todd J. Rosendahl
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Describing Experience: Working Actively with Fieldnote Genres in Anthropological Fieldwork

Lars Nørr Mikkelsen
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Reviews

Flashback: Drugs and Dealing in the Golden Age of the London Rave Scene (Jennifer R. Ward)

Sean Leneghan

75-77
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The Art of Record Production: An Introductory Reader for a New Academic Field (eds. Simon Frith and Simon Zagorski-Thomas)

Pat O'Grady

78-80
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The Sound Studies Reader (ed. Jonathan Sterne)

Carlo Nardi

80-85
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Musical Rhythm in the Age of Digital Reproduction (ed. Anne Danielsen)

Stefanie Alisch

86-89
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The International Recording Industries (ed. Lee Marshall)

Paul Oldham

89-92
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