Vol. 14 No. 1 (2022): Dancecult 2022

View Vol. 14 No. 1 (2022): Dancecult 2022

Published: 14-Nov-2022

Editorial

Executive Editor's Introduction

Graham St John

1
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Feature Articles

Exploring Personal Spectres in Electronic Music

Gareth Whitehead

2–22
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Technique, Experience and the Social Function of Techno Music A Comparative Analysis of Theodor Adorno and Robert Fink

Luciano Pascual

23–38
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Moments of Connection As Means of Survival A Study of Queer Identity, Freedom and Community in UK Raves During the Covid-19 Pandemic

Daisy Avis-Ward

39–59
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Transpositions

Digital Cumbia Tradition and Postmodernity

Moses Iten; Israel Marquez

60–75
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From the Floor

Smokescreen Free Party Sound System

Andrew Riley
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Outlook Festival A Celebration of Sound System Culture

Ivan Mouraviev
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8-Bit Music on Twitch How the Chiptune Scene Thrived During the Pandemic

Kirsten Hermes
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Plugging the Creative Drain A Glimpse Into Electronic Music Migration in Northern Ireland

Ciara Power
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Plague Raver Reflections What Happened in the Pandemic Stays in the Pandemic

Richard Anderson
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The Power to Name and Other Dilemmas Presented by Brazilian Funk Subgenres

Liv Sovik, Brian D'Aquino
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Reviews

Do You Remember House? Chicago’s Queer of Colour Undergrounds (Micah E. Salkind) and Fabulous: The Rise of the Beautiful Eccentric (Maddison Moore)

Jacob Mallinson Bird

76–80
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The Boy from Medellín (Dir. Matthew Heineman)

Juan Diego Diaz, Ana María Díaz Pinto

81–85
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Explosions in the Mind: Composing Psychedelic Sounds and Visualisations (Jonathan Weinel)

Dave Payling

86–87
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The Discourse Community of Electronic Dance Music (Anita Jóri)

Andrew Whelan

88–91
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Dancefloor-Driven Literature: The Rave Scene in Fiction (Simon A. Morrison)

Toby Young

92–93
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