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Vol 2, No 1 (2011)
Vol 2, No 1 (2011)
Dancecult 2 (1) features two themes: the dystopian and remix aesthetics of Detroit techno and a Special Section on the Love Parade.
Published:
20-Mar-2011
Editorial
Editor's Introduction and Masthead
Graham St John
1-3
PDF
Feature Articles
Disco’s Revenge: House Music’s Nomadic Memory
Hillegonda C. Rietveld
4-23
PDF
Hooked on an Affect: Detroit Techno and Dystopian Digital Culture
Richard Pope
24-44
PDF
Maintaining "Synk" in Detroit: Two Case Studies in the Remix Aesthetic
Carleton S. Gholz
45-62
PDF
Festival Fever and International DJs: The Changing Shape of DJ Culture in Sydney’s Commercial Electronic Dance Music Scene
Ed Montano
63-89
PDF
From the Floor
Nomads in Sound vol. 1
Anna Gavanas
HTML
Where is Duisburg? An LP Postscript
Sean Nye, Ronald Hitzler
HTML
Party, Love and Profit: The Rhythms of the Love Parade (Interview with Wolfgang Sterneck)
Graham St John
HTML
Pathological Crowds: Affect and Danger in Responses to the Love Parade Disaster at Duisburg
Luis-Manuel Garcia
HTML
Reviews
Hip Hop Underground: The Integrity and Ethics of Racial Identification (Anthony Kwame Harrison)
Rebecca Bodenheimer
90-93
PDF
HTML
The Local Scenes and Global Culture of Psytrance (Graham St John)
Rupert Till
94-96
PDF
HTML
Pink Noises: Women on Electronic Music and Sound (Tara Rodgers)
Anna Gavanas
97-98
PDF
HTML
Technomad: Global Raving Countercultures (Graham St John)
Philip Ronald Kirby
99-101
PDF
HTML
Sonic Warfare: Sound, Affect, and the Ecology of Fear (Steve Goodman)
tobias c. van Veen
102-106
PDF
HTML
Music World: Donk (Dir. Andy Capper)
Philip Ronald Kirby
107-110
PDF
HTML
Speaking in Code (Dir. Amy Grill)
tobias c. van Veen
111-114
PDF
HTML
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maynooth
ISSN: 1947-5403
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