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Dancecult: Journal of Electronic Dance Music Culture
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  1. Home /
  2. Archives /
  3. Vol 4, No 2 (2012)

Published: 11-Nov-2012

Editorial

  • Editor's Introduction
    Graham St John
    1–2
    • PDF

Feature Articles

  • What to Ask Women Composers: Feminist Fieldwork in Electronic Dance Music
    Magdalena Olszanowski
    3–26
    • PDF
  • Crossdressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music
    David Madden
    27–47
    • PDF
  • “Clubs aren’t like that”: Discos, Deviance and Diegetics in Club Culture Cinema
    Simon Andrew Morrison
    48–66
    • PDF

From the Floor

  • The First Four Years of Bangface Weekender: an Overview
    Eric Turner
    • HTML
  • Acid House Night at Cuckoo, Hindley St, Adelaide, South Australia July 2011.
    Cathy Adamek
    • HTML

Reviews

  • How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop, the Machine Speaks (Dave Tompkins)
    tobias c. van Veen
    67–70
    • HTML
    • PDF
  • Groove Music: The Art and Culture of the Hip-Hop DJ (Mark Katz)
    Murray Forman
    71–73
    • HTML
    • PDF
  • The Record Players: DJ Revolutionaries (Bill Brewster and Frank Broughton)
    Scott Gaule
    74–77
    • HTML
    • PDF
  • Popular Music: Topics, Trends & Trajectories (Tara Brabazon)
    Ed Montano
    78–79
    • HTML
    • PDF
  • Big Fun in the Big Town (Dir. Bram van Splunteren)
    Philip Ronald Kirby
    80–83
    • HTML
    • PDF
ISSN: 1947-5403
 
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